On the
hill above Tre-Taliesin I munched a sandwich. I was sitting on an old tumulus,
a burial mound probably dating from the Bronze Age. But to local people it was
Bedd Taliesin, Taliesin’s Grave, a name that seems to have pre-dated the
village below. But Taliesin died in the sixth century. Had Bronze Age funerary
practices survived into early medieval times in this remote part of Wales? It
seemed unlikely, and Taliesin would probably have had an early Christian
burial. So why? Why this of a thousand tumuli?
Below was
Tre-Taliesin. Beyond that was Cors
Fochno where lived Ceridwen. Beyond the marsh lay the sea. There, near my own
home, Ceridwen had placed her unwanted child into a leather bag and thrown him
into the sea. Beyond was site of Aber Leri and Gwyddno’s fish-trap where the
child Taliesin had been found.
To the
north was the massif of Cader Idris, shrouded in cloud. For a moment the cloud
cleared. Through a notch in the foothills I could see the imposing summit from
which Taliesin had returned after a night alone there, the greatest poet that ever lived.
From that
spot alone I could see every point that was central to the physical and
artistic creation of Taliesin: man, legend, and poet. Surely that was why it
was called Bedd Taliesin.